The Ark of the Earthly Sanctuary was the Pattern of the True Ark in Heaven

“According to all that the Lord commanded Moses, so the children of Israel made all the work. And Moses did look upon all the work, and, behold, they had done it as the Lord had commanded, even so had they done it: and Moses blessed them.” Exodus 39:42-43 KJV.

“After the building of the tabernacle was completed, Moses examined all the work, and compared it with the pattern, and directions he had received of God, and he saw that every part of it agreed with the pattern; and he blessed the people. God gave a pattern of the ark to Moses, with special directions how to make it. The ark was made to contain the tables of stone, on which God engraved, with his own finger, the ten commandments. It was in form like a chest, and was overlaid and inlaid with pure gold. It was ornamented with crowns of gold round about the top. The cover of this sacred chest was the mercy-seat, made of solid gold. On each end of the mercy-seat was fixed a cherub of pure, solid gold. Their faces were turned toward each other, and were looking reverentially downward toward the mercy-seat, which represents all the heavenly angels looking with interest and reverence to the law of God deposited in the ark in the heavenly sanctuary. These cherubs had wings. One wing of each angel was stretched forth on high, while the other wing of each angel covered their forms. The ark of the earthly sanctuary was the pattern of the true ark in Heaven. There, beside the heavenly ark, stand living angels, at either end of the ark, each with one wing overshadowing the mercy-seat, and stretching forth on high, while the other wings are folded over their forms in token of reverence and humility.

In the earthly ark Moses was required to place the tables of stone. These were called the tables of the testimony; and the ark was called the ark of the testimony, because they contained God’s testimony in the ten commandments. The tabernacle was composed of two apartments, separated by a curtain, or vail.

All the furniture of the tabernacle was made of solid gold, or plated with gold. The curtains of the tabernacle were of a variety of colors, most beautifully arranged, and in these curtains were wrought, with threads of gold and silver, cherubims, which were to represent the angelic host, who are connected with the work of the heavenly sanctuary, and who are ministering angels to the saints upon the earth.

Within the second vail was placed the ark of the testimony, and the beautiful and rich curtain was drawn before the sacred ark. This curtain did not reach to the top of the building. The glory of God, which was above the mercy-seat, could be seen from both apartments, but in a much less degree from the first apartment. Directly before the ark, but separated by the curtain, was the golden altar of incense. The fire upon this altar was kindled by the Lord himself, and was sacredly cherished by feeding it with holy incense, which filled the sanctuary with its fragrant cloud, day and night. Its fragrance extended for miles around the tabernacle. When the priest offered the incense before the Lord, he looked to the mercy-seat. Although he could not see it, he knew it was there; and as the incense arose like a cloud, the glory of the Lord descended upon the mercy-seat, and filled the most holy place, and was visible in the holy place; and the glory often so filled both apartments that the priest was unable to officiate, and was obliged to stand at the door of the tabernacle. The priest in the holy place, directing his prayer by faith to the mercy-seat, which he could not see, represents the people of God directing their prayers to Christ before the mercy-seat in the heavenly sanctuary. They cannot behold their Mediator with the natural eye, but with the eye of faith they see Christ before the mercy-seat, and direct their prayers to him, and with assurance claim the benefits of his mediation.

These sacred apartments had no windows to admit light. The candlestick was made of purest gold, and was kept burning night and day, and gave light to both apartments. The light of the lamps upon the candlestick reflected upon the boards plated with gold, at the sides of the building, and upon the sacred furniture, and upon the curtains of beautiful colors with cherubims wrought with threads of gold and silver, which appearance was glorious beyond description. No language can describe the beauty and loveliness, and sacred glory, which these apartments presented. The gold in the sanctuary reflected the colors of the curtains, which appeared like the different colors of the rainbow.

Only once a year could the high priest enter into the most holy place, after the most careful and solemn preparation. No mortal eye but that of the high priest could look upon the sacred grandeur of that apartment, because it was the especial dwelling place of God’s visible glory. The high priest always entered it with trembling, while the people waited his return with solemn silence. Their earnest desires were to God for his blessing. Before the mercy-seat, God conversed with the high priest. If he remained an unusual time in the most holy, the people were often terrified, fearing that because of their sins, or some sin of the priest, the glory of the Lord had slain him. But when the sound of the tinkling of the bells upon his garments was heard, they were greatly relieved. He then came forth and blessed the people.” EGW, SOP, Vol 1, 1870, pp. 272-275.

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Published by marklastimoso

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